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Sacred Paintings

  • Home
  • New Page
  • Writings on the Theology of Art by James Patrick Reid
    • Fitly Framed Together: Art, Sports, and the Building Up of the Body of Christ
    • Matisse and Russian Icons
    • A Few Words on Traditional and Modern Art in the Light of Metaphysics
    • The Art of the Beautiful Lecture Series in New York
    • The Metaphysics of Art (Article in "The Catholic Thing")
    • Invisible Things Clearly Seen
    • Art and the Transfiguration of the World
  • Paintings by James Patrick Reid
  • The Iconography of The Baptism of Christ
  • The iconography in the "Annunciation"
  • The iconography in "Nazareth"
  • Byzantine Icons by the hand of James Patrick Reid
  • About James Patrick Reid
  • Blog -- Meditations on Sacred Masterworks
  • Contact

Saint Teresa of Calcutta, sculpture by Anthony Visco

September 05, 2016

In this remarkable bronze portrayal of Mother Teresa, who was canonized yesterday and whose feast we celebrate today, we see the saint's bowed posture. She carries the weight of all the suffering she finds. Lev Gillet remarked that divine love is like an atmospheric pressure to which a saint is always sensitive. The Hebrew word "kavod' means both glory and weight, the weight of glory. The extraordinary lightness in Mother Teresa's face (shown here in a detail photo of the sculptor's clay rendition prior to casting in bronze) likewise manifests her closeness to Christ, with whom she bears this weight of love. As Saint Francis de Sales says, "love either takes away the hardship of labor, or makes it dear to us while we feel it." In Anthony Visco's sculpture, the eloquent gesture of Mothers hands extends God's mercy, His steadfast loving kindness, to us all.

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Sacred Paintings Blog

Here we will talk about great works of sacred art from various periods of Church history.


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